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Jan Van Eyck
Portrait of Cardinal Niccolo Albergati
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ID: 01165
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Jan Van Eyck
1395-1441
Flemish
Jan Van Eyck Locations
Painter and illuminator, brother of Hubert van Eyck.
According to a 16th-century Ghent tradition, represented by van Vaernewijck and Lucas d Heere, Jan trained with his brother Hubert. Pietro Summonte assertion (1524) that he began work as an illuminator is supported by the fine technique and small scale of most of Jan works, by manuscript precedents for certain of his motifs, and by his payment in 1439 for initials in a book (untraced) for Philip the Good, Duke of Burgundy. Jan is first documented in The Hague in August 1422 as an established artist with an assistant and the title of Master, working for John III, Count of Holland (John of Bavaria; reg 1419-25), who evidently discovered the artist while he was bishop (1389-1417) of the principality of Liege. Jan became the court official painter and was paid, with a second assistant when the work increased in 1423, continuously, probably until the count death in January 1425. Related Paintings of Jan Van Eyck :. | Details of Portrait of Giovanni Arnolfini and His Wife | Adoration of the Lamb | The Ghent Altarpiece with altar wings closed | Closed view, back panels | The Crucifixion 6 | Related Artists: Louis Gallait(9 or 10 May 1810 - 20 November 1887) was a Belgian painter. His d his reputation especially with the large painting of Charles V's abdication. Gallait's works were considered as the basis for a desirable renewal of historical paintings because of the realism, costume faithfulness and colorful posture of his paintings. His last artwork was sent on tour in Germany and that led to new signals even among German historians. He was also a distinguished portrait painter.
Gallait died in Brussels in 1887. There is a painting by Louis Gallait at the Norton Art Museum in West Palm Beach, Florida ("Art and Liberty").
Philipp Otto RungeGerman Romantic Painter, 1777-1810
..German painter, draughtsman and theorist. He stands alongside Caspar David Friedrich as a leading figure in German Romantic painting even though his early death restricted his oeuvre to relatively few stages of development. The enduring prominence of philosophical and theoretical concerns suggests that further work would have contributed to the history of ideas as well as to that of art. Runge's greatest influence was on later, largely 20th-century artists and thinkers rather than on his immediate contemporaries. While 19th-century developments certainly bore out Runge's claim for a new, symbolic role for landscape, Moser, LukasGerman Painter, 1390-ca.1434
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